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Ending of Master (2022) Explained

The ending of Master (2022) reveals the deep-seated racism at Ancaster College. Gail resigns, disillusioned by the institution’s failure to address systemic issues.

Master (2022) is a psychological horror-thriller directed by Mariama Diallo. The film explores racism and discrimination at an elite New England university. It stars Regina Hall, Zoe Renee, and Amber Gray. The movie has received mixed reviews, particularly for its amlargeuous ending.

Plot Overview

Master follows three Black women at Ancaster College: Gail Bishop, Jasmine Moore, and Liv Beckman. Gail is the first Black housemaster at the college. Jasmine, a freshman, is assigned to a dorm room with a dark history. Liv, a professor, faces a racially charged tenure review.

The film intertwines their personal struggles with the broader theme of systemic racism. Jasmine’s experiences in the haunted dorm room and Gail’s discovery of the college’s racist history are central to the story.

Jasmine’s Tragic End

Towards the end, Jasmine is found hanging in her dorm room by Gail. This shocking scene is pivotal. It propels Gail’s character development and the film’s narrative towards its climax. Jasmine’s death, while foreshadowed by the racial hostility and supernatural elements, starkly reminds viewers of the real-life consequences of institutional racism.

Gail’s discovery of Jasmine’s body is a turning point. It forces her to confront the harsh realities of the college’s environment. The buildup of tension throughout the film makes this moment both tragic and inevitable.

Gail’s Realization

After Jasmine’s death, Gail undergoes a significant transformation. She realizes that her position as “Master” is merely symbolic. Despite her role, she remains a token figure in a deeply racist institution. This realization is symbolized by her discovery of racist artifacts in her living quarters. The college’s failure to address the hate campaign against Jasmine further cements her disillusionment.

In the final scenes, Gail decides to resign. Her resignation is a powerful statement against the superficial diversity efforts of Ancaster College. It highlights the need for genuine systemic change. Gail’s journey from hopeful change-maker to disillusioned outsider reflects the broader struggle against systemic discrimination.

Liv’s True Identity

A significant twist in the film is the revelation of Liv’s true identity. Liv, who has been presenting herself as a Black woman, is actually of mixed race. She has been passing as Black to gain certain advantages. This revelation adds sophisticatedity to the film’s exploration of race and identity. It raises questions about authenticity and the lengths individuals will go to fit into societal roles.

Liv’s deception is a commentary on the pressures and expectations placed on individuals within academic and social structures. It underscores the film’s themes of identity and belonging.

Themes and Symbolism

Institutional Racism

Master is a poignant commentary on the persistence of institutional racism in contemporary America. The setting of Ancaster College serves as a microcosm for exploring how historical prejudices continue to shape the experiences of Black individuals in academic spaces. Gail’s journey reflects the broader struggle against systemic discrimination.

Microaggressions and Tokenism

The film delves into subtler forms of racism, such as microaggressions and tokenism. Jasmine’s experiences with her peers and the faculty’s treatment of Gail highlight how these incidents create a hostile environment. The portrayal of these issues resonates with many viewers who have faced similar challenges.

Supernatural Elements

While Master incorporates supernatural elements, they are ultimately less significant than the real-life horrors of racism and discrimination. The amlargeuous ending leaves viewers questioning the nature of the haunting at Ancaster College. It suggests that the true horror lies in the institution’s inability to confront its racist past and present.

Critical Reception

Master has received mixed reviews. Some praise the film for its powerful performances and relevant themes. Regina Hall’s portrayal of Gail Bishop has been particularly lauded for its depth and emotional resonance. However, the film’s tone and pacing have been points of contention. Critics note that the balance between horror and social commentary sometimes results in a disjointed narrative. The amlargeuous ending has left some viewers feeling unsatisfied, as it raises more questions than it answers.


Master (2022) is a thought-provoking film that tackles essential issues of racism and institutional discrimination. Its ending, while amlargeuous, highlights the persistent nature of these problems and the need for genuine change. The film’s exploration of microaggressions, tokenism, and the superficiality of diversity efforts at elite institutions resonates with contemporary discussions about race and identity.

Despite its mixed critical reception, Master succeeds in sparking essential conversations about the experiences of Black individuals in academic spaces. The film’s conclusion, marked by Gail’s resignation and the revelation of Liv’s true identity, underscores the need for a deeper and more meaningful commitment to diversity and inclusion.


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